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IN being interested in the impact a space has on the body, I have started to film and document myself when making work. It was very interesting to make this
As part of the UAL outreach programme, they had put together some funding to send a group of UAl post graduate students to participate in a residency at the Resort
DRAWINGPRIZE JerwoodDrawingPrize2015 16 SEPTEMBER – 25 OCTOBER 2015 The Jerwood Drawing Prize is the largest and longest running annual open exhibition for drawing in the UK. Selected from original drawings, the Jerwood
Since my last try at making a full size paper record using drawing with the emboss technique my desire to have clean lines and substantial detail proved to be somewhat
After making my first trail embossing in the print workshop, I went away spent more time thinking about the texture of the emboss and how to make more of a
Using the images taken from the installation of my work at the National Gallery, I wanted to further my understanding of that work in relation to the space I
As part of the fellowship residency 2015 at the Camden Arts Centre Working across a range of media including sculpture, collage, animation and video, Salvatore Arancio’s main interests lie in the
British artist Simon Martin (b.1965) presents UR Feeling – a new film and a poster. In his previous work, Martin has focused on isolated objects such as the Louis Ghost
Held at the Camden Arts Centre this exhibition centres around Jo Baer’s most recent series of paintings, In the Land of the Giants. This series, developed since 2009, reflects on
White Cube is pleased to present an exhibition of new work by Theaster Gates. Gates’ practice is wide-ranging and polysemous, attempting to bridge the gap between art and life and
DE. FI. CIEN. CY examines a shared concern with the failure, or the ‘deficiency’, of pictorial representation. The exhibition includes over 50 works on paper by Polish artist Andrzej Wróblewski(1927-57), Dutch
Agnes Martin is perhaps most recognised for her evocative paintings marked out in subtle pencil lines and pale colour washes. Although restrained, her style was underpinned by her deep conviction