Scrap boxes
When I make work, I tend to have a period of time where I experiment and make a bit of mess with ways to make work I as follow it
When I make work, I tend to have a period of time where I experiment and make a bit of mess with ways to make work I as follow it
Here are a list of artists websites whose work I admire or find some link with my current thoughts around my work. Lauren Seiden – www.laurenseiden.com Eva Berendes – http://evaberendes.com Bruce Ingram
In the same vein as using objects to draw with, I thought it might be interesting to see how I could use a fine toothed comb to draw with into
After making my series of light into dark photocopy’s I wanted to focus on making images that had movement and texture within them, using ink/charcoal. So I made
As a short exercise I wanted to try and draw out the movements my cats body made when she played with a ball. I enjoy the way that she contorts and
During my time spent working with ink and charcoal in the studio – I decided I wanted to make a series of experimental drawings using ink to explore the way the iris
Westly and I worked together and produced a collaborative drawing – giving ourselves ten seconds each per turn in which each artist has to respond quickly to the previous mark made.
I have made a series of chew pieces and castings of found objects to use either as drawing tools, or to make drawings from. For a group presentation of
To help understand my thinking alongside the making of my work, I decided to set up a research table in which I can display and align my thoughts alongside the
Here are a few tests I made in the studio using a blade of grass to whip the paper with. I then used several elastic bands to make vibrating
Using a turntable, packing paper and chalk I experimented with the various ways you can make marks onto a rotative surface. I alternated both my marks and my counting in
I have a great love for photocopiers. So I was straight to the machine on my first day on the MA Drawing. I made several copies of the light going through
At the beginning of the term I wanted to start with the idea of using charcoal to help visualise the gravitational force around a simple shape imagining it as an
By spending a lot of time on the Wimbledon college studio site, I like to use what is often around the area to where I am working. I collected a
I am very interested in using the physical and compositional aspects of the materials I use to make my work. Therefore I wanted to conduct an experiment with rolled paper
Madeleine Botet de Lacaze – www.madeleinebotetdelacaze.com Notes made during the artist talking how the body awakens consciousness. How the female body is seen and looked at. See video- artist is cutting hair
The second week of life drawing I found useful for learning more about how to measure the figure, but I feel the overall outcome of the drawings are less satisfactory.
This series of drawings document my first week in attending the life drawing classes at the Wimbledon College of Art. The class began with the model walking around the room
A collection of sketches made from a collection of dried leaves I had on my desk in the studio. Using these as my starting point to consider the lively lines